A sign on the 130-year-old pier at Saltburn-by-the-Sea warns people not to jump off it. On a big surf day surfers make their way to the end of the sturdy 206 metre structure and jump like lemmings into the cold, murky North Sea. Words: Simon Palmer Photos: Ian Forsyth

Using locally sourced timber and having designed a manufacturing process that minimises waste, Mike LaVecchia of Grain Surfboards has cornered the market in beautiful, sustainable wooden boards. And the best bit? They ride like a dream. Photos: Nick LaVecchia

Chris Burkard's photographs are about more than barrels, perfect point breaks, and carving radical lines – they capture a moment in which the surfer is a mere player and the real star is the scenery. Words: Dan Hamlin Photos: Chris Burkard

Looking to the future with an eye firmly on the past, Tom Wegener has reintroduced the transport of kings to surfing's elite. His boards are works of art, but it's his veg patch that really floating Tom's boat right now... Words: Tommy Leitch Photos: Jamie Bott

Quietly considered and eloquent, you might know of Nathan Oldfield through his films 'Lines From A Poem' and 'Seaworthy'. Surf Screen's Christiaan Bailey popped him a few duly thoughtful questions about creative motivations and the surf film industry. Photos: Nathan Oldfield

Photographer Ben Thouard joins the Oxbow team aboard the Windward as they trawl pristine Pacific atolls in search of adventure, virgin waves and new opportunities.


Sunday morning surf check

September 06, 2009 | Words By: Mark

neil_openI recently caught up with the habitually calm and collected Neil Halstead for a Sunday-morning surf check.

It has been a busy and proud 18 months for Neil – the highlight being the birth of his twins last February – he signed with Brushfire Records last year, released his first album on Brushfire last August (‘Oh Mighty Engine’), did four tours in the US – including one with Jack Johnson – and two tours in the UK.

So how did the Brushfire Records deal come about?
Over the years I became friends with Thomas Campbell through mutual friends in California. Thomas used a Mojave Three [another band Neal is in] track in ‘Sprout’, so when he toured the film up the West Coast of America, I played a set at the showings and through that I met the Malloys, including Emmett, who runs Brushfire.

And how are you finding Brushfire Records?
It’s definitely a career highlight. It is really nice to be on a label where you’re all friends; it’s like a family at Brushfire and you don’t get that with most record companies. It’s great to be able to combine my music with my surfing interests too. I recorded my album at their solar-powered studio in LA, which was really interesting, and I will doing another album next year with them.

What was it like touring with Jack Johnson?
It was totally mental – we had audiences of about 25,000 people a night, which is way more than I normally play to. I really enjoyed it, plus it was great to share it all with Adam Parfait and Ben Hall, who played backing for me on the tour.

Do you get to surf much when you’re on tour?
Quite often there’s no time, or we’re somewhere with no waves, but when I am in California I normally get in the water and we scored in New Jersey last November – perfect little barrels. I’m touring Oz in November this year for three weeks stopping at all the major cities and Byron Bay, so I am looking forward to that.

What have you been working on this summer?
I am working on a soundtrack for a film called ‘Weakness’, which is due to be released next year. It’s a good – but small-budget – drama and the first film by theatre director Michael Melamedoff. This is the first soundtrack I’ve done and it has been challenging because it’s a very different way to work, more of a collaboration with the director, but I have enjoyed the experience.

After all these years, are you still a ‘Shoe Gazer’?
Once a shoe gazer, always a shoe gazer!


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