A sign on the 130-year-old pier at Saltburn-by-the-Sea warns people not to jump off it. On a big surf day surfers make their way to the end of the sturdy 206 metre structure and jump like lemmings into the cold, murky North Sea. Words: Simon Palmer Photos: Ian Forsyth

Big-wave riding is an awe-inspiring experience, but what happens when things go wrong? In an exclusive extract from his new book, Al Mennie explains what it's like to survive the mother of all wipeouts.

Cyrus Sutton made an impression on the international film circuit with his 2003 breakthrough movie 'Riding Waves'. Now the EMMY award-winning documentary maker has turned his attention to the divergent surf scenes of Australia's Gold Coast and Byron Bay. Words: Tommy Leitch Photos: Courtesy of Cyrus Sutton

Photographer Ben Thouard joins the Oxbow team aboard the Windward as they trawl pristine Pacific atolls in search of adventure, virgin waves and new opportunities.

Hidden away in a Falmouth boatyard among the classic lines of traditional timber ships is an unusual surfboard factory: one in which the boards are finished with wood and natural oils. Here tradition meets modernism. This is Glass Tiger. Words: Mark Sankey Action photos: Kirstin Prisk Other photos & design: Alexa Poppe

Using locally sourced timber and having designed a manufacturing process that minimises waste, Mike LaVecchia of Grain Surfboards has cornered the market in beautiful, sustainable wooden boards. And the best bit? They ride like a dream. Photos: Nick LaVecchia


Portfolio – Ollie Howe

November 06, 2009 | Words By: Angela

ollie-openerThe beauty of Drift is that everyone knows someone who knows someone who does something cool. I love it when I get one of those “You should check out…” emails, because it invariably leads to a few moments of eye-candy-fed escapism, and I feel it’s my duty to pass on the goodness.

Most recently, thanks to the superbly monikered illustrator/designer Diggy Smerdon, I’ve been introduced to the work of Ollie Howe. I’ll let Ollie do the talking…

“I’m thankful to have grown up in and around the sea in South Devon. When I was about 14, I got hooked on bodyboarding. I had a great pack of friends to surf and hang out with locally down here and up in North Cornwall, but as soon as I was able, I began travelling in search of the images I had spent my youth staring at in magazines. Many great waves and cultures later, I’m now pretty happy riding any kind of board in any kind of wave – I still love bodyboarding, but I’m equally happy hopping on a fish, shortboard or log, whatever suits the wave.

I’d always been pretty amazed by skate, snow and surf photography, but growing up I was too busy actually doing one of those three things to take time out to document them. In the last couple of years, though, I’ve grown to love capturing moves on film just as much.

As far as inspiration goes, I’m always stoked by the people I hang out with at home. Everyone’s into everything, and they all respect each other’s different styles and chosen ways to ride. Heaps of my friends cross over from skateboarding to snowboarding, longboarding to shortboarding, riding bodyboards to fish.

I think that my photography is influenced by people like Alex Williams, a great local photographer who etched the path for most of the newer guys – guys like Mickey Smith, who’s capturing incredible images that just keep getting better. Appreciating other genres also helps keep things fresh, and I try to incorporate ideas from skate and snowboard photographers like Newsome, Brittain, Kosick, Barash and Blotto.”

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[Rick Kenyon: South Devon point] This is one of Rick’s favourite surf spots; problem is, it's a bag of crap more often than not. But on those rare days when it does what it’s meant to, he's always on it, riding whatever suits, from Bonzers to 9'6 planks, always the deepest and always loving it.


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