A surfer from Noosa's sun drenched shores obsessed with the dark world of gothic horror, Jai Lee's personal struggles and addiction to noseriding have twisted his creativity. Words: Chris Preston Photos: Thomas Robinson (pp 1&3), Andy Staley (pp4)and Dane Peterson

Joe Curren is the surfing equivalent of old growth, his style in the water and behind a lens is deeply rooted, contemplative and quietly powerful. Jair Bortoleto caught up with Joe to talk about family, travel, and shooting analogue in the digital age. Words: Jair Bortoleto Photos: Joe Curren

One of the great things about surfing in this current era is the wide acceptance of different board designs. Over the last 10 years, it has become acceptable to pretty much ride anything from surfmat to singlefin, fish to longboard. Words: Chris Preston Photo (2): Dan Crockett

Four compadres take a New Zealand road-trip in search of lefts in a volcano's shadow… All aboard the good ship Peterson Threebeard with Dano, Purcho, Mud and Johnny.

Mark Sankey discusses the merits and faults of EPS with two of Britain's finest craftsmen, Mark Dickinson and Rob Lion, both of whom have been shaping the stuff with style for a good few years now... [photos by Ollie Banks]

Devastated by more than a decade of civil war, the Republic of Liberia is still in a serious state of flux. Could surfing bring a new hope and more peaceful future to this West African nation? Words & photos: Nicholai Lidow & Kate Thomas. Additional photos: Ted Grambeau & Jamie Bott


The cold, hard British coast

November 04, 2010 | Words By: Angela

Photographs from around the Devon coast, capturing the romance and honesty of our favourite time of year at Drift, the dead of winter. Shoshanna Bowles explains.


I began to realise there was something quite special about the cold, hard British surf coast but only after I started photographing it did I realised this.

I always ventured down to the Devon coast to escape into surfing, making the best of the winter we experience. Most of the time I’m battered by a cold wind, while struggling out of my wetsuit off and wishing for a warmer climate. But this brutality defines us and our coastline as uniquely British.

These photos take in the Devon coastline as it is, granular, cold and at times a little bit spooky, but at the same time sublime and beautiful.

When I’m photographing Devon I always use film, in particular in the bleaker winter months. Film seems to allow me to bring the subject to life with my own style. By using black and white stock, and adjusting the exposure time down, I find I am able to capture a very honest portrayal of our coast. These photos are from a series exploring the struggle and passion of surfing in these austere months; contrasting the beauty that is uniquely ours.

I don’t believe it was a conscious decision to start surf-related photography, the ocean is one of my loves and the majority of my work has some relationship with the coast and ocean. Visit my web site here.

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