A surfer from Noosa's sun drenched shores obsessed with the dark world of gothic horror, Jai Lee's personal struggles and addiction to noseriding have twisted his creativity. Words: Chris Preston Photos: Thomas Robinson (pp 1&3), Andy Staley (pp4)and Dane Peterson

In early 2008, longtime buddies Billy Hume, Jeff Myers, Joey Carter and Ben McBrien got together for a trip off the beaten track trip in search of waves and adventure. They headed for the icy waters of Alaska... Words: Jeff Myers Photos: Nick LaVecchia

Dreamt up over 20 years ago by Renaud and Thomas Cardinal, two French brothers with a passion for board making, UWL has grown to become one of the biggest factories in Europe, while building a reputation based on performance and quality. Rui Ribeiro talks with Renaud about the past, present and future of UWL...

Chris Preston interviews Sydney's Matt Chojnacki. His surfing may be heavily influenced by the glories of the past, but to tag him as just another retro dude is missing the mark. Words: Chris Preston. Photos: Matt Johnson / thesealife.com.au

Four compadres take a New Zealand road-trip in search of lefts in a volcano's shadow… All aboard the good ship Peterson Threebeard with Dano, Purcho, Mud and Johnny.

Stephen Jones, director of triple-award-winning surf film El Mar Mi Alma, shares his vision of the surf-blessed land of Chile, its people, and the ocean that defines it.


The basis of shaping

February 28, 2011 | Words By: Florian Carlo

It takes patience and courage to dedicate your time and labour to shaping boards by hand in a world and time where this kind of craftsmanship is almost forgotten, sometimes even depreciated.


Twenty years ago, all surfers still needed shapers. And a great part of them still had a special relationship with the man that singlehandedly carved every curve of their surf craft.

As with everything else, shaping got mechanical, and surfers got themselves believing that riding Occhy’s board would make them better and everything started popping out of bigger factories.

It still takes creativity and experience to design a surfboard and many surfers are still interested in riding a special board. One made to fit their own needs. One they won’t find next to them waiting for a set at their usual peak. One shaped for their skill and swell conditions, and not for the ASP’s top ten pro surfers.

Looking at this Cyrus Sutton short piece, you know that Ryan Lovelace is one of those dedicated and vocational designers, that on a daily basis tries to make people happy. Ryan, and every other shapers who decided that shaping is meant to be a personal, self-expressed and hand-crafted quest, are the necessary factors that make surfing a millenary culture and discipline.

It is important that surfers consider what a surfboard really is, and why it is better hand shaped by someone who cares – discussed, considered, and adapted to their own criteria.

The hand-shaped way is the only real research and development left in surfing. It is a genuine pursuit of performance, excellence, and happiness. It is a calling which few people on this planet answer for the greater good and who’s work we should all be more aware of.


1 Comments


  1. Go Ryan!

    1


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